some more plan and elevation views, lit from the bottom.
Friday, 14 March 2008
Thursday, 28 February 2008
View of weave room with rails
This is just a model tryin to show the first ideas for the rails and boards in situe. Work is needed to think about lenghts of material as do not want them to trail on the ground as this would be a hazard........ (also in this picture there are 3 boards when there should in fact be only 2....sorry)
Wednesday, 27 February 2008
plywood boards measured
to eplain my 'not easy to understand' drawings>
boards size
1. 1200x2000x18 mm [65 boards]
2. 600x2000x18 mm [50 boards]
and then various offcuts [which were smaller size than boards 1. and 2.] diff to measure.
Monday summary
Hi everyone,
Here's a summary of what we discussed on Monday, minus my presentation. If you want to see some examples of my work online, check out
Caroline
Here's a summary of what we discussed on Monday, minus my presentation. If you want to see some examples of my work online, check out
The Way Ahead gallery
Getting a handle on the brief.
This is an exercise I do in my own practice when presented with a brief – lay it all out and then analyse what I’ve got to work with and how I feel about it. It serves as a handy summary of all the things that need consideration, including building in personal influence and what is possible in time and materials.
What or who inspires you in your interior architecture practice, and why? (this is to help you identify your influences/direction)
What do you think the client wants? (It’s important to speak to your client as early as possible – and be clear about what your impressions are. Their opinion may be similar to yours - or be very different).
What kind of materials are available / possible to use?
What are your impressions of the spaces, good and bad? For weave, print, knit and fashion. Anything you can use? Lose? Cover up?
What about the existing elements (in this case, the building?) Does it have any influence you might want/need to reference in your design?
Allocate responsibilities – who’s going to do what – i.e. drawing, make models, source materials, background research, do budget, take minutes of group meetings etc
Access hints and tips. These are essentially practical - but on Monday we also talked about how these elements can be used creatively.
Space and permanent features
Furniture
Signage and information
Safe spaces
Quiet areas within larger rooms – some people can be overwhelmed by crowds, noise, lighting. Clubs have ‘chill out areas’ – why not other spaces?
Getting a handle on the brief.
This is an exercise I do in my own practice when presented with a brief – lay it all out and then analyse what I’ve got to work with and how I feel about it. It serves as a handy summary of all the things that need consideration, including building in personal influence and what is possible in time and materials.
What or who inspires you in your interior architecture practice, and why? (this is to help you identify your influences/direction)
What do you think the client wants? (It’s important to speak to your client as early as possible – and be clear about what your impressions are. Their opinion may be similar to yours - or be very different).
What kind of materials are available / possible to use?
What are your impressions of the spaces, good and bad? For weave, print, knit and fashion. Anything you can use? Lose? Cover up?
What about the existing elements (in this case, the building?) Does it have any influence you might want/need to reference in your design?
Allocate responsibilities – who’s going to do what – i.e. drawing, make models, source materials, background research, do budget, take minutes of group meetings etc
Access hints and tips. These are essentially practical - but on Monday we also talked about how these elements can be used creatively.
Space and permanent features
- Room to move and accommodate wheelchair turning circles
- Avoid designing ‘bottlenecks’ where people congregate and block thoroughfare
- Floor surfaces – thick carpet can be difficult for manual wheelchair users
- Trip hazards – avoid trailing wires or things hanging that could trip people or be caught by a wheelchair
- Contrasting floor and wall surfaces can help define the room
- Floor surfaces – changes in texture or surface marking can help a person navigate
- Handrails on stairs
- Avoid heavy doors – use sliding or automatic doors
- Lower height lift buttons, door handles and entrance bells
- Lighting – avoid glare on reflective surfaces, low level lighting, or lighting that cannot be adjusted
- Diffuse lighting with no shadows
- Room surfaces – be aware of echoing or sound absorbing features
Furniture
- Moveable furniture
- Tables – height and clearance room underneath
- Avoid heavy doors – sliding or automatic doors can suit everyone
- Trip hazards – avoid trailing wires
- Offer places to stop and rest, include varied seating options - lower height seating for children, higher seating for those with less mobile hip and knee joints, armrests to enable someone to get up more easily, higher backed chairs for comfort
Signage and information
- Tactile signage – Braille can be added onto lift buttons, door push-plates and the underside of handles to give information about the room someone is entering
- Audio information – recorded on a loop, or lightbeam technology which allows information to be given audibly when someone breaks the beam
- Take into account lower eye level for signage, displays and reception desks
- Clear signage incorporating visual instructions - may benefit learning disabled people, people who speak another language, BSL users when English is not their first language, small children
- Lower height lift buttons and entrance bells
- Positioning of displays – not trip hazards or blocking thoroughfare
- Visual fire alarms and alerts
Safe spaces
Quiet areas within larger rooms – some people can be overwhelmed by crowds, noise, lighting. Clubs have ‘chill out areas’ – why not other spaces?
Your next session is with Damian at Mithras House on Thursday 28th Feb from 10.00am.
Caroline
Tuesday, 26 February 2008
Sunday, 24 February 2008
An access tale of woe...
I wrote this article a couple of years ago - it was my first visit to Brighton. I was going to the Fabrica Gallery for the launch of an exhibition featuring my work. I'd previously boasted to friends I'd booked an accessible seafront hotel and they'd given us a reduced rate on an 'ensuite room with separate seating area featuring a sea view and fully wheelchair accessible bathroom with jacuzzi' I thought I'd post it here as an example of how an interpretation of 'disabled access' can go horribly wrong when put to the test by a real live disabled person!
"Did I say I was off to live it up in a posh accessible hotel in Brighton? Damn the photographer and website designer who made it all look so pretty online! To top it all, it was too foggy to see the sea (which wasn't strictly anyone's fault), except a becalmed sea might have soothed my spazzing nerves.
As we rolled up to the hotel, the first thing immediately apparent was the Small Harmless Step in the website photograph was actually a Chunky Bastard Monster Step. Deep breath. Second was their prestigious 30 space car park was actually a tarmacked area rented from the hotel next door. We looked on in innocent surprise at the tiny narrow spaces, and a faint warning bell sounded in my head as we realised they'd forgotton to reserve us the two I'd been allocated for wide door access. In the end Mr F dropped me off outside the hotel and went to park, whilst I sat in full view of the bloke on the reception desk, glaring at the monster step - and a little sticker on the door saying "We Are Access Friendly".
My gaze wandered past the reception area up to the bar, an inviting, well lit area, with a polished wooden bar and gleaming optics. I say 'up to' because it was raised up on a platform with steps leading to it. Undaunted, I imagined somewhere out of my line of vision there was probably an equally smart ramp, which I might glide up soon in search of a much needed gin. Fat chance.
As Mr F returned and hauled me up the step, we realised there were double automatic doors just inside the entrance, and one was broken. The young man at reception who had watched me for a good ten minutes while Mr F tried to park the car, dashed to wrestle with the uncoperating door a fraction of a second after we'd manovered through it. We watched him sympathetically from the reception desk until he decided the best thing to do to save face would be to give up and just issue us with the room key. Through the double doors, to the lift, on the first floor. Ah, the lift.
Ever been to somewhere that tries to do grand on a small scale? We had to pass through two small but heavy wooden double doors in a frame that could have easily housed one. Double doors for a wheelchair user usually mean someone will prop open one with their body, and reach over with an arm to hold open the other. You wheel through under an armpit. I don't like stranger's armpits, even if they are clean and respectable. You just never know, until it's too late, and by then they're expecting a thank you. Mr F, whose armpits I am married to along with the rest of him, was about to perform the manouvre but we had been sighted, and an eager member of staff came over to demonstrate the access-friendlyness the sticker on their door said they had. After an amusing struggle and the obligatory thank-you's, we were delivered through the bright reception area into a dark, thickly carpeted corridor, which gave off the unmistakable air of a mature seaside hotel.
At the lift we met a pleasant lady who told us a funny story about how the lift had already got stuck twice that week. Laughing in what appeared to be an genuinely casual manner, she reassured us she knew which button to press to raise the alarm. But when the lift came, like the doors it was strangly compact, so she declined to travel with us - kindly saving me another intimate encounter with a strange body. Inside, it was mirrored from halfway up the walls to the ceiling, so I sat quietly in my wheelchair and contemplated my forehead (the only bit I could see) as it rumbled up to the first floor and our room.
The Queen's suite! Finally we had arrived. Right opposite the lift, for which I prayed - after being in a similar position at a Premier Travel Inn recently - wouldn't mean we'd hear people coming and going all night. Mr F opened the door and we went in to what I can truthfully say has been one of the most freakish juxtapositions accomodation-wise I have ever encountered in the hospitality industry.
The room was huge. There was a four poster bed. It could have come from Ikea and been stained dark (although I could be being unkind). It looked a little bare, and sadly this lack of drapery led the eye upwards to a most unusual sight. The ceiling, although it began quite normally where the wall ended with some nicely elaborate coving, was a modern-day office style suspended ceiling! Think nasty, textured prefab tiles, some stained, some skewed, all unlovely. The main lights in the room were set flat in this horror of a ceiling - the yellowy bulb lights you might expect to find - well, lets face it, in your local dole office. We were staggered - even me, who was sitting down. It just didn't fit together.
There was a fucking big television a couple of miles opposite the bed. It was just as well really. Comically, hidden behind it were the only visible plug sockets in the room, and a wall mounted, yellowed complimentary hairdryer with the concentrator nozzle missing.
Mr Fang beat me to the complimentary tea tray. "Coffee, tea, no hot chocolate, and only one packet of biscuits," he said dolefully. We shared a look of mounting horror.
Over to the window area at the far side of the room, there were grand floor-to-ceiling curtains in a small raised area - reachable only by a step, that contained a couple of sofas and a table. A small, elaborately framed picture sat forlornly on the wall nearby, which strangly, was the only wall decoration in the whole vastness of the room... It turned out to be a small typed notice saying "Please Contact Reception If You Require Our Portable Ramp". I knew there was too much sea mist around to haul myself up to catch a glimpse of the sea, so I consoled myself there was still the bathroom and the much longed for jacuzzi to be discovered. I scooted off in anticipation. I never learn, me.
The bathroom, sadly, did not match the vastness of the main bedroom. It was a narrow little prefab afterthought. You went through a door with a horrid stiff ornate handle to face the toilet sideways on, with the tub on your left and a narrow route between the two to the washbasin set in the far corner. The full disappointment of my naively raised hopes hit home as I saw the 'jacuzzi' was in fact a corner bath, set with a few water jets (which looked like they needed a good scrub). Instinctively, my eye wandered around to look for any cleaning stuff, and alighted instead on a poor lonely handrail, set vertically in the opposite wall, too far back from the toilet to be of any practical use.
The bath had handrails too - once again, mostly likely fixed by an alien odd-jobbing his way round this neck of the galaxy. The first offender sat vertically at arms length away from the bath, and the secord lurked beneath horizontally running along the back wall. I figured you could rise up gripping the lower horizontal one and drag yourself hand over hand until you got to the vertical one. The sides of the bath were curved on the inside so you couldn't actually stand that close to the edge when in the bath, and the side of the bath was narrow, which meant that I might not be able to sit and balance on the side to get out without toppling off and smashing my head on the toilet seat - but heigh-ho. Luckily I have some mobility, and distant memories of scrambling up mount Snowden in more active days.
Mr F poked his head round the door. "Oh," he said "it's not a jacuzzi at all. It's a bath". And went out again.
Meantime, there was the route to the washbasin to consider. Could I squeeze past in my chair? Possibly not. In a sort of tantrum disabled people have when they know access is no longer proper access, but needs must, I barged through with only the slightest of pauses to see if anything broke. But the toilet seat moved to one side surprisingly easily, as did the side of the bath, which made me suspect some other wheelchair-using pioneer must have done the neccessary violence before me. On the way to the sink, I spied the towel rail, alledgedly heated, but with no switch anywhere, just a worringly loose connection cable into the wall. I could be kind here and say it was set at a jaunty angle, but not so the green diamond tile transfers stuck on at odd intervals to add a bit of interest. They were definitely on the piss.
I haven't got anything bad to say about the wash basin. Except it wasn't an accessible one, which I thought was the point of the room. Too high, no space underneath, and like the lift, the mirror set above it was at standing height so I could only see if my forehead was looking ok before we went out.
I reversed back, with two things on my mind. First thing was we were getting a substantial discount for the room. Second is we had half an hour to change and get to the art gallery. I pushed it all to the back of my mind, ran a brush through my hair, put my red party shoes on, and we left. It would be dark when we got back, we would be to drunk to care or complain, and then we would go to sleep, get up and leave, never to return again.
P.S.
On the way out, the receptionist came after us just as Mr F was dragging me down the Chunky Bastard Monster Step. It was the same guy who had booked us in and sat looking at me staring at the step whilst I waited for Mr F to park the car.
"We've a got a ramp for that step, sir" he said."
Caroline Cardus
"Did I say I was off to live it up in a posh accessible hotel in Brighton? Damn the photographer and website designer who made it all look so pretty online! To top it all, it was too foggy to see the sea (which wasn't strictly anyone's fault), except a becalmed sea might have soothed my spazzing nerves.
As we rolled up to the hotel, the first thing immediately apparent was the Small Harmless Step in the website photograph was actually a Chunky Bastard Monster Step. Deep breath. Second was their prestigious 30 space car park was actually a tarmacked area rented from the hotel next door. We looked on in innocent surprise at the tiny narrow spaces, and a faint warning bell sounded in my head as we realised they'd forgotton to reserve us the two I'd been allocated for wide door access. In the end Mr F dropped me off outside the hotel and went to park, whilst I sat in full view of the bloke on the reception desk, glaring at the monster step - and a little sticker on the door saying "We Are Access Friendly".
My gaze wandered past the reception area up to the bar, an inviting, well lit area, with a polished wooden bar and gleaming optics. I say 'up to' because it was raised up on a platform with steps leading to it. Undaunted, I imagined somewhere out of my line of vision there was probably an equally smart ramp, which I might glide up soon in search of a much needed gin. Fat chance.
As Mr F returned and hauled me up the step, we realised there were double automatic doors just inside the entrance, and one was broken. The young man at reception who had watched me for a good ten minutes while Mr F tried to park the car, dashed to wrestle with the uncoperating door a fraction of a second after we'd manovered through it. We watched him sympathetically from the reception desk until he decided the best thing to do to save face would be to give up and just issue us with the room key. Through the double doors, to the lift, on the first floor. Ah, the lift.
Ever been to somewhere that tries to do grand on a small scale? We had to pass through two small but heavy wooden double doors in a frame that could have easily housed one. Double doors for a wheelchair user usually mean someone will prop open one with their body, and reach over with an arm to hold open the other. You wheel through under an armpit. I don't like stranger's armpits, even if they are clean and respectable. You just never know, until it's too late, and by then they're expecting a thank you. Mr F, whose armpits I am married to along with the rest of him, was about to perform the manouvre but we had been sighted, and an eager member of staff came over to demonstrate the access-friendlyness the sticker on their door said they had. After an amusing struggle and the obligatory thank-you's, we were delivered through the bright reception area into a dark, thickly carpeted corridor, which gave off the unmistakable air of a mature seaside hotel.
At the lift we met a pleasant lady who told us a funny story about how the lift had already got stuck twice that week. Laughing in what appeared to be an genuinely casual manner, she reassured us she knew which button to press to raise the alarm. But when the lift came, like the doors it was strangly compact, so she declined to travel with us - kindly saving me another intimate encounter with a strange body. Inside, it was mirrored from halfway up the walls to the ceiling, so I sat quietly in my wheelchair and contemplated my forehead (the only bit I could see) as it rumbled up to the first floor and our room.
The Queen's suite! Finally we had arrived. Right opposite the lift, for which I prayed - after being in a similar position at a Premier Travel Inn recently - wouldn't mean we'd hear people coming and going all night. Mr F opened the door and we went in to what I can truthfully say has been one of the most freakish juxtapositions accomodation-wise I have ever encountered in the hospitality industry.
The room was huge. There was a four poster bed. It could have come from Ikea and been stained dark (although I could be being unkind). It looked a little bare, and sadly this lack of drapery led the eye upwards to a most unusual sight. The ceiling, although it began quite normally where the wall ended with some nicely elaborate coving, was a modern-day office style suspended ceiling! Think nasty, textured prefab tiles, some stained, some skewed, all unlovely. The main lights in the room were set flat in this horror of a ceiling - the yellowy bulb lights you might expect to find - well, lets face it, in your local dole office. We were staggered - even me, who was sitting down. It just didn't fit together.
There was a fucking big television a couple of miles opposite the bed. It was just as well really. Comically, hidden behind it were the only visible plug sockets in the room, and a wall mounted, yellowed complimentary hairdryer with the concentrator nozzle missing.
Mr Fang beat me to the complimentary tea tray. "Coffee, tea, no hot chocolate, and only one packet of biscuits," he said dolefully. We shared a look of mounting horror.
Over to the window area at the far side of the room, there were grand floor-to-ceiling curtains in a small raised area - reachable only by a step, that contained a couple of sofas and a table. A small, elaborately framed picture sat forlornly on the wall nearby, which strangly, was the only wall decoration in the whole vastness of the room... It turned out to be a small typed notice saying "Please Contact Reception If You Require Our Portable Ramp". I knew there was too much sea mist around to haul myself up to catch a glimpse of the sea, so I consoled myself there was still the bathroom and the much longed for jacuzzi to be discovered. I scooted off in anticipation. I never learn, me.
The bathroom, sadly, did not match the vastness of the main bedroom. It was a narrow little prefab afterthought. You went through a door with a horrid stiff ornate handle to face the toilet sideways on, with the tub on your left and a narrow route between the two to the washbasin set in the far corner. The full disappointment of my naively raised hopes hit home as I saw the 'jacuzzi' was in fact a corner bath, set with a few water jets (which looked like they needed a good scrub). Instinctively, my eye wandered around to look for any cleaning stuff, and alighted instead on a poor lonely handrail, set vertically in the opposite wall, too far back from the toilet to be of any practical use.
The bath had handrails too - once again, mostly likely fixed by an alien odd-jobbing his way round this neck of the galaxy. The first offender sat vertically at arms length away from the bath, and the secord lurked beneath horizontally running along the back wall. I figured you could rise up gripping the lower horizontal one and drag yourself hand over hand until you got to the vertical one. The sides of the bath were curved on the inside so you couldn't actually stand that close to the edge when in the bath, and the side of the bath was narrow, which meant that I might not be able to sit and balance on the side to get out without toppling off and smashing my head on the toilet seat - but heigh-ho. Luckily I have some mobility, and distant memories of scrambling up mount Snowden in more active days.
Mr F poked his head round the door. "Oh," he said "it's not a jacuzzi at all. It's a bath". And went out again.
Meantime, there was the route to the washbasin to consider. Could I squeeze past in my chair? Possibly not. In a sort of tantrum disabled people have when they know access is no longer proper access, but needs must, I barged through with only the slightest of pauses to see if anything broke. But the toilet seat moved to one side surprisingly easily, as did the side of the bath, which made me suspect some other wheelchair-using pioneer must have done the neccessary violence before me. On the way to the sink, I spied the towel rail, alledgedly heated, but with no switch anywhere, just a worringly loose connection cable into the wall. I could be kind here and say it was set at a jaunty angle, but not so the green diamond tile transfers stuck on at odd intervals to add a bit of interest. They were definitely on the piss.
I haven't got anything bad to say about the wash basin. Except it wasn't an accessible one, which I thought was the point of the room. Too high, no space underneath, and like the lift, the mirror set above it was at standing height so I could only see if my forehead was looking ok before we went out.
I reversed back, with two things on my mind. First thing was we were getting a substantial discount for the room. Second is we had half an hour to change and get to the art gallery. I pushed it all to the back of my mind, ran a brush through my hair, put my red party shoes on, and we left. It would be dark when we got back, we would be to drunk to care or complain, and then we would go to sleep, get up and leave, never to return again.
P.S.
On the way out, the receptionist came after us just as Mr F was dragging me down the Chunky Bastard Monster Step. It was the same guy who had booked us in and sat looking at me staring at the step whilst I waited for Mr F to park the car.
"We've a got a ramp for that step, sir" he said."
Caroline Cardus
Friday, 22 February 2008
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